10 Takeyama (1995). 11 PRS (2012). 12 Der Trend weg von Downloads hin zu Streaming-Diensten ist ein weiteres Argument warum eine Speichermedienabgabe, wenn überhaupt, dann nur kurze Zeit sinnvoll wäre. 13 www.flimmit.at. 14 Danaher et al. (2009). Literatur Arrow, Kenneth J., Economic Welfare and the Allocation of Resources for Invention, in: National Bureau of Economic Research (Hrsg.), The Rate and Direction of Inventive Activity (Princeton 1962) 609-625. Baumol, William J.; Bowen, William G., Performing Arts: the Economic Dilemma (New York 1966). Besen, Stanley, Private Copying, Reproduction Costs, and the Supply of Intellectual Pro- perty, in: Information Economics and Policy 2/1 (1986) 522. Boldrin, Michele; Levine, David, The Case against Intellectual Property, in: The American Economic Review, Papers and Proceedings 92/2 (2002) 209-212. Danaher, Brett; Waldfogel, Joel, Reel Piracy: The effect of online film piracy on internatio- nal box office sales (2012); http://ssrn.com/abstract=1986299, letzter Aufruf 1.7.2013. Danaher, Brett; Dhanasobhon, Samita; Smith, Michael D.; Telang, Rahul, Converting Pira- tes Without Cannibalizing Purchasers: The Impact of Digital Distribution on Physical Sales and Internet Piracy, in: Marketing Science 29/6 (2010) 1138-1151. DiCola, Peter C., Money from Music: Survey Evidence on Musicians’ Revenue and Les- sons About Copyright Incentives, in: Arizona Law Review, in Erscheinung; Northwes- tern Law & Econ Research Paper No. 13-01; http://ssrn.com/abstract=2199058; letzter Aufruf 1.7.2013. Hadfield, Gillian K., The Economics of Copyright: A Historical Perspective, in: Copyright Law Symposium (ASCAP) 38 (1992) 1-46. Hilty, Reto, Renaissance der Zwangslizenzen im Urheberrecht, in: GRUR 7 (2009) 633-644. Kretschmer, Martin, Private Copying and Fair Compensation: An empirical study of copyright levies in Europe (2011); http://www.ipo.gov.uk/ipresearch-faircomp-full-201110.pdf; letzter Aufruf 1.7.2013. Liebowitz, Stan J., Copying and Indirect Appropriability: Photocopying of Journals, in: Jour- nal of Political Economy 93/5 (1985) 945-957. Performing Rights Society (PRS), The six business models of copyright infringement (2012); http://www.prsformusic.com/aboutus/policyandresearch/researchandeconomics/ Documents/TheSixBusinessModelsofCopyrightInfringement.pdf, letzter Aufruf 1.7.2013. Plant, Arnold, The Economic Aspects of Copyright in Books, in: Economica 1/2 (1934) 167- 195. Rosen, Sherwin, The Economics of Superstars, in: The American Economic Review 71/5 (1981) 848-858. Stepan, Paul, Filmwirtschaft in Österreich: Von der Szene zur Industrie (= Studie im Auftrag der Austria Wirtschaftservice GmbH, Wien 2009). Stepan, Paul, Film, in: Towse, Ruth; Handke, Christian (Hrsg.), Handbook of the Digital Creative Economy (Cheltenham, im Erscheinen). Takeyama, Lisa, The Welfare Implications of Unauthorized Reproduction of Intellectual property in the Presence of Demand Network Externalities, in: Journal of Industrial Eco- nomics 42/2 (1994) 155-166. 419 39. Jahrgang (2013), Heft 3 Wirtschaft und Gesellschaft